Digital compositions sink into unstable ground. They drift between past and present, between what I once made and what still moves through me now.
This began as an experiment: could these works find belonging in other terrains? But the longer I stayed with them, the more it became about the rush of change itself.
The future keeps pressing in too fast. The feed twists our images, identities blur, what felt steady dissolves overnight.
I keep asking myself: what do I hold on to, and what is left to let go of? How much of our past selves can live inside this rush? Can anything tender survive inside futures that feel harsh?
This work lingers not as answers, but as a way of noticing what remains, and how slow reshaping might be its own resistance.